![]() Immediately in the first two lines of ‘Mont Blanc’, Shelley foregrounds the key thrust of the poem: the relationship between the natural world and the human imagination. Shelley composed ‘Mont Blanc’ during the summer of 1816, and it was first published in Mary Shelley’s History of a Six Weeks’ Tour through a Part of France, Switzerland, Germany and Holland (1817), which – beating Frankenstein by a year – was actually Mary’s first book. ![]() Percy Shelley’s poem about Mont Blanc, the highest mountain in the Alps, is a classic example of Romantic poetry about the Sublime – an ode to nature as a powerful and beautiful force. The Romantics were greatly interested in a quality that Edmund Burke called ‘the Sublime’: that peculiar mixture of awe and terror we feel when confronted with great forces of nature. The source of human thought its tribute brings Now lending splendour, where from secret springs Now dark-now glittering-now reflecting gloom. ‘The Yellowhammer’s Nest’, although not Clare’s best-known poem, shows his wonderful sensitivity to vowel sounds, as he explores the patterns found within nature by focusing on the nest of the bird, which is described as ‘poet-like’.įlows through the mind, and rolls its rapid waves, Like Charlotte Turner Smith, Clare is still a rather overlooked figure in English Romanticism and nature poetry, but he’s been called England’s greatest nature poet and the best poet to have written about birds. ![]() John Clare (1793-1864) has been called the greatest nature poet in the English language (by, for instance, his biographer Jonathan Bate), and yet his life – particularly his madness and time inside an asylum later in his life – tends to overshadow his poetry. So it sings harmless o’er its pebbly bed … ’Tis scarcely deep enough a bee to drown, John Clare, ‘ The Yellowhammer’s Nest’.Īnd seek its nest-the brook we need not dread, This needn’t surprise when we bear in mind that the sonnet’s author, Charlotte Turner Smith (1749-1806) was associated with English Romanticism and was also a key figure in the revival of the English sonnet.Ħ. This poem by Charlotte Turner Smith, a pioneer of Romanticism in England who was born before Wordsworth or Coleridge, is that rarest of things: a Gothic sonnet. But as Dorothy Wordsworth’s role in inspiring ‘I wandered lonely as a cloud’ demonstrates, Romanticism wasn’t quite an all-male affair. Its distance from the waves that chide below …Įnglish Romanticism wasn’t entirely dominated by men, although it’s true that names like Wordsworth, Coleridge, Shelley, and so on tend to dominate the lists. To the tall cliff, with starting pace or slow,Īnd, measuring, views with wild and hollow eyes Charlotte Smith, ‘ Sonnet on being Cautioned against Walking on a Headland’. Variously interpreted as being about guilt over the Transatlantic slave trade, about Coleridge’s own loneliness, and about spiritual salvation, The Rime of the Ancient Mariner remains a challenging poem whose ultimate meaning is elusive.ĥ. The poem is one of the great narrative poems in English, with the old mariner recounting his story, with its hardships and tragedy, to a wedding guest. The idea of killing an albatross bringing bad luck upon the crew of a ship appears to have been invented in this poem, as there is no precedent for it – and the albatross idea was probably William Wordsworth’s, not Coleridge’s (Wordsworth got the idea of the albatross-killing from a 1726 book, A Voyage Round The World by Way of the Great South Sea, by Captain George Shelvocke). Written in 1797-8, this is Coleridge’s most famous poem – it first appeared in Lyrical Ballads.
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